Clara Schumanns cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have consider
Clara Schumanns cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Smerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumanns early cadenzas for Mozarts D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC.
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